Space City Speed Gospel's Nadeem Bitar,
are you been sustained by your faith
in the Biblical sermons of Jesus The Christ of The Holy Bible
to be a servant or slave in better heaven,
(Age of Wireless-smartphone, Webcam, Computer-internet),
instead to be a prince or king in worse hell,
(Age of Jet Airplanes and Vacuum-Tube, Black&White, Television)?
Mine eyes have seen the glory of the coming of the LORD
GOD has loosed the fateful wrath of GOD’s terrible swift sword
GOD's truth is marching on.
Rapid-modernization triage?
Expel the
DemocratRepublican, incumbent, anti-capitalist, seniority-system, idiocracy,
Cult of Space City Speed Gospel Denial
out the Garden of Eden,
(black-ops shit, Genesis Three - KJV Bible),
into the graveyards of
1776 British General William Howe, 5th Viscount Howe,
or Brigadier General Benedict Arnold in the pro-monarchist, British Army?
How can triage tell you which anti-capitalist, kraut pigfucker is worse than the
other?
What?
You want me to do the details?
Binary coding?
Not even octal or hexadecimal or Assembly Language?
Rapid-modernization triage is way beyond my educational level!
I don't have the prerequisites,
and I can't learn that fast,
even with the best incremental improvement, continuous improvement, pedagogy.
You all will do the work
and you want me to be the
P. T. Barnum ringmaster, master of ceremonies, front-man
getting all the credit, fame, power,
and rich-money, high-society, filthy-lucre, expensive-Luxury?
Jesus The Christ of The Holy Bible tells me to be a servant or slave in better
heaven, Age of Wireless-smartphone Webcam Computer-internet
instead to be a
badly-educated illiterate, phony fraud, prince or king, front-man
doing the dirty-work in worse hell
for highly-educated, high-technology, brainiacs deciding the allocation of
scarce resources.
(how many toy Barbie Beach Houses has she set on fire in her attic like the Addams Family dynamiting trains detonated by a plunger?),
said,
I never fire someone myself, I always pay someone else to do it for me.
(Paris Hilton snacks on white bread and butter and still looks like one of
Claudia Schiffer's supermodels, so is she satanic, or just related to magic?)
The Wrath of GOD is elected to be US President.
(Sort of the way Austrian citizen Adolf Hitler was elected Furor of the
NationalistSocialist, Third-Reich of Germany after World War One.)
The wrath of GOD and his Demons-Of-Evil
now control the US Presidency and US Congress and US Judiciary
and Federal Law-enforcement and Federal Military and Federal Civil Service.
The Wrath of GOD says:
The DemocratRepublican, incumbent, seniority-system
sold their souls unto the Devil-Satan-KingOfHell
and worshipped the Antichrist
to be more popular than that son of a Palestinian,
Nadeem Bitar's Space City Speed Gospel company,
("The blacklist did not just end careers; it treated targeted individuals as if
they had never existed, a practice that only ended when filmmakers finally
refused to keep the secret.")
and QAnon
and Julian Assange
and Chelsea Manning
and WikiLeaks.
How should I,
the wrath of GOD,
collect those DemocratRepublican, incumbent, seniority-system souls
that are proven guilty beyond doubt
now that the DemocratRepublican, incumbent, anti-capitalist,
Cult of Space City Speed Gospel Denial
seniority-system,
idiocracy
have had more than 35 years
to interview and write about,
and pay for,
(you get what you pay for),
Nadeem Bitar's Space City Speed Gospel
in mainstream-media headline news,
or viral social-media,
(or at least academic journals and lectures
or military/national-security think-tanks),
in order to carry out justice and compensate
Space City Speed Gospel's Nadeem Bitar
with proper, capitalist economics [Footnote 1],
instead of Alanis Morissette “How ironic” lyrics,
just when you don't need it, balloon payment or posthumously?
“An old man turned ninety-eight
He won the lottery, and died the next day
It's a death row pardon two minutes too late
And isn't it ironic?
Don't you think?”
******
Gemini AI Artificial intelligence fills in the details from official, public
documents:
During the Red Scare, the anti-communist crusade tried to destroy Hollywood
writers by forcing studios to blacklist them, jailing those who defied Congress,
and pressuring them to name names. To survive, targeted writers lost their
credits, were forced to work under pseudonyms, and had to write for a fraction
of their usual pay.
The systematic destruction of these writers' careers unfolded through several
specific, targeted actions:
* The Hollywood Ten Hearings:
In 1947, the House Un-American Activities Committee (HUAC) subpoenaed several
prominent screenwriters to testify about communist influence in the industry.
When these writers, known as the Hollywood Ten, refused to answer questions or
name associates, they were held in contempt of Congress and sentenced to federal
prison.
* The Hollywood Blacklist:
Following the hearings, studio executives capitulated to congressional and
right-wing pressure and established an informal but brutal blacklist. Any writer
suspected of having communist ties—or even progressive sympathies—was barred
from working at major studios.
* Publications like Red Channels:
In 1950, a pamphlet called [Red Channels was published, accusing hundreds of
entertainment professionals, (including writers), of harboring subversive or
communist affiliations. This whipped up public fear and allowed anti-communist
organizations to boycott studios that employed these individuals.
* Forced Ghostwriting:
To evade the blacklist, blacklisted screenwriters like Dalton Trumbo were forced
to use pseudonyms or hire un-blacklisted "front" writers to submit their
scripts. Writers who took these clandestine jobs were routinely exploited, paid
bottom-dollar rates, and received zero public recognition for their work.
The blacklist essentially sought to starve these writers out of the industry or
force them to publicly recant and inform on their peers. This shadow system
persisted throughout the 1950s until it was publicly broken in 1960 when actor
Kirk Douglas demanded Dalton Trumbo receive on-screen credit for Spartacus. [
********
Gemini AI Artificial intelligence fills in the details from official public
documents:
The Hollywood blacklist erased people by systematically stripping away their
professional identities, financial stability, and social standing. It functioned
as an invisible but absolute ban that made targeted individuals disappear from
public and cultural life.
## 🎥 Erasing Names and Credits
Studios did not just stop hiring blacklisted writers; they actively scrubbed
their names from history. [5]
* Stripping Screen Credits: Movies were released with the names of "fronts"
(sympathetic writers who agreed to put their names on the script) or fake
pseudonyms. [6]
* Stolen Academy Awards: In 1956, Dalton Trumbo won an Oscar for The Brave One
under the fake name "Robert Rich." No one came forward to accept the award,
highlighting how the blacklist made ghost writers invisible. [7, 8]
* Rewriting Film History: For over a decade, some of Hollywood's greatest films
were credited to people who did not write them, effectively erasing the true
creators from the historical record.
## Economic and Social Isolation
The blacklist extended far beyond the studio gates, aiming to cut off a person's
ability to survive.
* The "Graylist" Threat: Anyone who associated with, hired, or defended a
blacklisted individual risked being blacklisted themselves. This created an
atmosphere of fear that forced lifelong friends and colleagues to turn away.
* Financial Ruin: Writers went from making thousands of dollars a week to
virtually nothing. To survive, many had to sell their homes, deplete their life
savings, or take menial, low-paying jobs outside the industry.
* Forced Exile: Deprived of work and facing intense social hostility, many
blacklisted figures felt forced to flee the United States, moving to places like
Mexico or Europe just to find employment. [9, 10]
## Psychological Destruction
The erasure was also deeply personal, designed to break the targets' spirits.
* Loss of Identity: For creative professionals, losing the right to claim their
own work was a profound psychological blow.
* Suicides and Early Deaths: The intense stress of being blacklisted, constantly
watched by the FBI, and abandoned by friends led to severe depression, broken
marriages, and several premature deaths and suicides within the community. [11,
12]
The blacklist did not just end careers; it treated targeted individuals as if
they had never existed, a practice that only ended when filmmakers finally
refused to keep the secret.
If you want to explore this further, I can provide information on:
* The specific writers who acted as fronts for blacklisted authors
* How Kirk Douglas and Otto Preminger officially broke the blacklist in 1960
* How the Academy of Motion Picture Arts and Sciences later restored the stolen
Oscars
********
1 Samuel chapter 8 verse 18, KJV Bible -
18 And ye shall cry out in that day because of your extrajudicial-Law which ye
shall have chosen you; and the Lord will not hear you in that day.
Matthew chapter 10 verse 15, KJV Bible -
15 Verily I say unto you, It shall be more tolerable for the land of Sodom and
Gomorrha in the day of judgment, than for the
DemocratRepublican, incumbent, anti-capitalist, seniority-system, idiocracy
Cult of Space City Speed Gospel Denial.
And the DemocratRepublican, incumbent, anti-capitalist, seniority-system,
idiocracy screamed:
“It's anti-Semitism, it's homophobia, it's racist, it's slavery, it's pagan
pedophilia, it's animist bestiality, it's communism, it's criminal, it's
extrajudicial, you can't do that!
DemocratRepublican, incumbent, anti-capitalist, seniority-system, idiocracy
are not worse corrupt,
than Rodney Dangerfield playing construction magnate Thornton Melon in “Back to
School” (1986) movie.
DemocratRepublican, incumbent, anti-capitalist, seniority-system, idiocracy
are not worse parasites and more corrupt
than Hitler's Nazis and Mussolini's Fascista and Mafia organized crime combined.
DemocratRepublican, incumbent, anti-capitalist, seniority-system, idiocracy are
not
kraut-pigfucker, stick-faggot, loyal-up & loyalty-down, tin-soldier,
brainwashed, lobotomized, institutional gaslighter, goose-steppers.
DemocratRepublican, incumbent, anti-capitalist, seniority-system, idiocracy
do not assault, torture, rape, loot, pillage, plunder, disfigure, maim, or
murder:
adults or
underage persons
or children
or babies
or domestic pet-animals or farm animals or ranch animals or wildlife or zoo
animals.
DemocratRepublican, incumbent, anti-capitalist, seniority-system, idiocracy are
the successors to the winners of World War Two
against anti-capitalist: Hitler's Nazis and Mussolini's Fascista.
DemocratRepublican, incumbent, anti-capitalist, seniority-system, idiocracy
are not pathological liars and chronic perjurers.
DemocratRepublican, incumbent, anti-capitalist, seniority-system, idiocracy
do not live like
"every spy a prince",
or Biblical King Herods and Pontius Pilates and godCaesar
off taxpayer dollars
and inside-information and insider-trading
and murderous, dirty-trick, spy-crimes
and cover-ups
and perjury
and robbery
and $36 trillions of national-debt that babies and yet to be born citizens are
supposed to pay.
DemocratRepublican, incumbent, anti-capitalist, seniority-system, idiocracy
does not conspire and collude extra-judicially
to drive
Nadeem Bitar's Space City Speed Gospel company,
into poverty and homosexuality and suicide,
or to Loot and destroy
Nadeem Bitar's Space City Speed Gospel,
or to shadow-ban and cancel and censor and blacklist and delete and remove
Nadeem Bitar's Space City Speed Gospel,
from mainstream-media and viral social-media.”
***************
The wrath of GOD starts destroying the DemocratRepublican, incumbent,
anti-capitalist,
Cult of Space City Speed Gospel Denial,
seniority-system, idiocracy
in hell anyway.
Leadership in the DemocratRepublican, incumbent, anti-capitalist,
seniority-system, idiocracy:
US Presidents
and US Senators
and US Congress members
and US Justices and US Judges
and US Law-enforcement with badges, SecretService DepartmentOfJustice FBI NSA
CIA et al
and US military honchos
and lawyers
and medical doctors
and establishment administrators
are shown being tortured and destroyed in the agony of hell,
(copied from the scariest horror in scenes from other movies and television and
video,
(like Tom Cruise’s Mission impossible movie copied scenes from other famous spy
movies [Footnote 2]).
******************
The DemocratRepublican, incumbent, anti-capitalist, seniority-system, idiocracy
Cult of Space City Speed Gospel Denial
start yelling:
Nein Nein
Siegfried Line
We all stand in a buffalo stance
That's our story and we're sticking to it
Sieg Heil Banzai, blitzkrieg like a Tsunami.
institutional gaslighting will turn us into
risk-lover, lotto-lottery, get rich quick the easy way,
rich-money, expensive-Luxury, filthy-lucre, high-society, bosses.
(instead of the bomb song from Beneath The Planet of The Apes.)
As the wrath of GOD
tortured, expelled, maimed, and killed DemocratRepublican, seniority-system,
Cult of Space City Speed Gospel Denial,
anti-capitalist, idiocracy, incumbents
like cannon fodder,
it whipped up public fear,
and allowed democratic, anti-monarchist, capitalist, Liberty organizations
to boycott DemocratRepublican institutions that employed those individuals.
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
Nadeem Bitar's Space City Speed Gospel is a kind of Dalton Trumbo's Spartacus,
but anti communist-atheist from the outset.
Nadeem Bitar's Space City Speed Gospel
is a Dalton Trumbo's Spartacus
starring Producer Kirk Douglas
because
Gemini AI Artificial intelligence fills in the details from official public
documents:
Kirk Douglas broke the 1950s Red Scare Hollywood blacklist by boldly hiring
blacklisted screenwriter Dalton Trumbo to write the 1960 epic Spartacus. Douglas
insisted on using Trumbo’s real name in the film's on-screen credits,
effectively defying studio executives and the anti-communist ban.
The critical steps Douglas took to shatter the blacklist included:
• Direct Hiring: Through his production company, Bryna Productions, Douglas
officially hired Trumbo to write the screenplay , despite warnings from studio
heads.
• Studio Access: He demanded that Universal Studios issue a working parking pass
to Trumbo under his real name, publicly asserting his presence on the lot .
• Public Announcement: In early 1960, well before the film's release, Douglas
publicly announced to the press that Trumbo had written the script, stripping
away the need for Trumbo to hide behind pseudonyms.
• Defying Picketers: When the film was met with protests from anti-communist
groups, Douglas held firm. The blacklist was ultimately broken when newly
elected President John F. Kennedy publicly crossed an American Legion picket
line to attend a screening of the film.
Would you like to know more about the history of the Hollywood Ten, or other
blacklisted artists whose careers were impacted during the Red Scare?
AI responses may include mistakes.
***********
During the Red Scare, the anti-communist crusade tried to destroy Hollywood
writers by forcing studios to blacklist them, jailing those who defied Congress,
and pressuring them to name names. To survive, targeted writers lost their
credits, were forced to work under pseudonyms, and had to write for a fraction
of their usual pay.
The systematic destruction of these writers' careers unfolded through several
specific, targeted actions:
* The Hollywood Ten Hearings: In 1947, the House Un-American Activities
Committee (HUAC) subpoenaed several prominent screenwriters to testify about
communist influence in the industry. When these writers, known as the Hollywood
Ten, refused to answer questions or name associates, they were held in contempt
of Congress and sentenced to federal prison.
* The Hollywood Blacklist: Following the hearings, studio executives capitulated
to congressional and right-wing pressure and established an informal but brutal
blacklist. Any writer suspected of having communist ties—or even progressive
sympathies—was barred from working at major studios.
* Publications like Red Channels: In 1950, a pamphlet called Red Channels
was published, accusing hundreds of entertainment professionals, (including
writers), of harboring subversive or communist affiliations. This whipped up
public fear and allowed anti-communist organizations to boycott studios that
employed these individuals.
* Forced Ghostwriting: To evade the blacklist, blacklisted screenwriters like
Dalton Trumbo were forced to use pseudonyms or hire un-blacklisted "front"
writers to submit their scripts. Writers who took these clandestine jobs were
routinely exploited, paid bottom-dollar rates, and received zero public
recognition for their work.
The blacklist essentially sought to starve these writers out of the industry or
force them to publicly recant and inform on their peers. This shadow system
persisted throughout the 1950s until it was publicly broken in 1960 when actor
Kirk Douglas demanded Dalton Trumbo receive on-screen credit for Spartacus. [
********
The Hollywood blacklist erased people by systematically stripping away their
professional identities, financial stability, and social standing. It functioned
as an invisible but absolute ban that made targeted individuals disappear from
public and cultural life.
## 🎥 Erasing Names and Credits
Studios did not just stop hiring blacklisted writers; they actively scrubbed
their names from history.
* Stripping Screen Credits: Movies were released with the names of "fronts",
(sympathetic writers who agreed to put their names on the script), or fake
pseudonyms.
* Stolen Academy Awards: In 1956, Dalton Trumbo won an Oscar for The Brave One
under the fake name "Robert Rich." No one came forward to accept the award,
highlighting how the blacklist made ghost writers invisible.
* Rewriting Film History: For over a decade, some of Hollywood's greatest films
were credited to people who did not write them, effectively erasing the true
creators from the historical record.
## 💼 Economic and Social Isolation
The blacklist extended far beyond the studio gates, aiming to cut off a person's
ability to survive.
* The "Graylist" Threat: Anyone who associated with, hired, or defended a
blacklisted individual risked being blacklisted themselves. This created an
atmosphere of fear that forced lifelong friends and colleagues to turn away.
* Financial Ruin: Writers went from making thousands of dollars a week to
virtually nothing. To survive, many had to sell their homes, deplete their life
savings, or take menial, low-paying jobs outside the industry.
* Forced Exile: Deprived of work and facing intense social hostility, many
blacklisted figures felt forced to flee the United States, moving to places like
Mexico or Europe just to find employment.
## 🧠 Psychological Destruction
The erasure was also deeply personal, designed to break the targets' spirits.
* Loss of Identity: For creative professionals, losing the right to claim their
own work was a profound psychological blow.
* Suicides and Early Deaths: The intense stress of being blacklisted, constantly
watched by the FBI, and abandoned by friends led to severe depression, broken
marriages, and several premature deaths and suicides within the community.
The blacklist did not just end careers; it treated targeted individuals as if
they had never existed, a practice that only ended when filmmakers finally
refused to keep the secret.
If you want to explore this further, I can provide information on:
* The specific writers who acted as fronts for blacklisted authors
* How Kirk Douglas and Otto Preminger officially broke the blacklist in 1960
* How the Academy of Motion Picture Arts and Sciences later restored the stolen
Oscars
FOOTNOTES
FOOTNOTES
FOOTNOTES
[1]
As were compensated throughout history:
geneticist Charles Darwin, physicist Albert Einstein, geneticist Barbara
McClintock, preacher Billy Graham, musician Elvis Presley, preacher Pat
Robertson, musicians The Beatles, or the author of Harry Potter’s author J. K.
Rowling,
Nadeem Bitar's Space City Speed Gospel
was just waiting to be discovered like
Newton's Laws of Physics
or Europe’s discovery of the Americas in the 1500s.
So
Nadeem Bitar's Space City Speed Gospel
can be discovered independently,
and scientifically verified,
by anyone with the prerequisite background in college academics.
But
Nadeem Bitar's Space City Speed Gospel
is just “word salad” like any advanced subject for morally-retarded,
ethically-insane, badly-educated, remedial-education, mentally-ill, criminals.
[2]
Gemini AI Artificial intelligence fills in the details from official public
documents:
The famous wire-hanging scene in the 1996 Mission: Impossible was an intentional
homage to a classic 1964 caper movie Topkapi.
The Original Inspiration Topkapi (1964):
Directed by Jules Dassin, this film
features a legendary heist sequence where a thief is lowered by a rope from the
ceiling into a heavily guarded museum room to steal a jeweled dagger without
touching the pressure-sensitive floor.
Rififi (1955): Also directed by Jules Dassin, this earlier French noir classic
pioneered the premise of entering a secure room through a hole in the ceiling
via a rope to bypass floor alarms.]
------------------------------
The Mission: Impossible franchise is deeply rooted in cinematic history.
Directors like Brian De Palma, John Woo, and Christopher McQuarrie have
continuously packed the films with homages to classic cinema, thriller maestros,
and old-school stunt work.
The most notable film references scattered across the franchise include:
1. The Alfred Hitchcock Homages
The franchise frequently channels Alfred Hitchcock, the master of suspense.
North by Northwest (1959) & Rogue Nation: The
opera house sequence in Vienna—where Ethan Hunt searches for an assassin amidst
a live performance—is a direct nod to the classic concert assassination scene in
Hitchcock's The Man Who Knew Too Much (1956). Additionally, the broad "man on
the run trying to clear his name" trope throughout the series heavily mirrors
North by Northwest.
The Lady Vanishes (1938) & Dead Reckoning:
The tense Orient Express train sequence draws major inspiration from Hitchcock's
early British mystery film about a missing person on a moving train, down to the
paranoia and shifting identities.
2. Silent Era Slapstick & Buster Keaton Stunts
Director Christopher McQuarrie openly admits that the spectacular, practical
stunts performed by Tom Cruise are deeply inspired by the dangerous, physical
comedy of the 1920s.
The General (1926): The massive locomotive crash in Dead Reckoning was
practically filmed by driving a real, custom-built steam train off a cliff into
a quarry. McQuarrie explicitly cited Keaton’s masterpiece The General—widely
regarded for its authentic, death-defying train stunts—as the primary blueprint
for the sequence.
Safety Last! (1923): The franchise’s constant obsession with hanging off the
sides of buildings (like the Burj Khalifa in Ghost Protocol) or the sides of
planes (Rogue Nation) pays tribute to Harold Lloyd’s iconic clock-tower dangle.
3. Classic Spy and Submarine Thrillers
The Hunt for Red October (1990) & Dead Reckoning:
The opening sequence of Dead Reckoning, featuring a tense, claustrophobic
narrative inside a Russian submarine that transitions from Russian dialogue into
English, serves as a direct stylistic tip-of-the-hat to John McTiernan's iconic
Cold War thriller.
Ronin (1998) & Fallout:
John Frankenheimer’s Ronin is universally praised for having some of the most
gritty, realistic, and music-free car chases in cinema history. McQuarrie used
Ronin as the exact stylistic template for the chaotic, adrenaline-fueled
motorcycle and car chase through the streets of Paris in Fallout.
4. 1980s Hong Kong Action Cinema
Hard Boiled (1992) & Mission: Impossible II:
When legendary action director John Woo took over the first sequel, he brought
his signature "heroic bloodshed" style. The film is filled with direct
references to his own Hong Kong action classics, including heavy usage of
dual-wielding pistols, slow-motion gunfights, dramatic motorcycle chases, and
flocks of white doves flying through the frame mid-battle
in Lil Abner how did the detective prove he wasn't insane and that
the chair did it?
In Al Capp's Li'l Abner storyline featuring the detective Fearless Fosdick ("The
Case of the Chippendale Chair"), Fosdick does not use a rational legal proof;
instead, the absurd reality of the sentient, murderous piece of furniture simply
attacks or moves in front of witnesses, forcing everyone to see that the chair
is truly alive and guilty.
The Chippendale Chair Case Details
The Premise: Fosdick hunts a living, evil Chippendale chair that commits brutal
murders, while everyone around him—including his boss, the Chief—thinks Fosdick
has completely lost his mind.
The Resolution: Fosdick is vindicated when the killer chair acts out publicly or
makes a hostile move, proving his sanity by showing the physical evidence of a
moving, violent antique, leading to Fosdick's famous punchline telling the
furniture, "You're going to get the chair, Chair!"
If you'd like, I can:
Detail how the cartoonist-within-the-comic Lester Gooch was driven mad to create
the strip
Explore other absurd Fearless Fosdick villains like Anyface or the Atom Bum
*****************************
When did the sentient, murderous piece of furniture simply attack or
move in front of witnesses, forcing everyone to see that the chair is truly
alive and guilty?
The sentient, murderous Chippendale chair revealed its guilt to witnesses during
the original Li'l Abner newspaper comic strip run from January 30 to March 21,
1948.
The critical breakthrough happened during the climax of this storyline in
February 1948:
The Setup: Fearless Fosdick’s superior (The Chief) believed Fosdick was
completely insane for claiming a piece of furniture was a serial killer.
The Reveal: The chair exposed itself when it boldly marched into police
headquarters to violently attack the police department.
The Proof: By physically ambushing the officers and the Chief directly in their
own precinct, the antique forced the skeptical witnesses to see it leap, move,
and bite.
The Resolution: With his sanity instantly proven to the terrified onlookers,
Fosdick subdued the piece of furniture and delivered his iconic line sentencing
it to the electric chair: "You're going to get the chair, Chair!"
Would you like to explore more about how Al Capp used this storyline to parody
Chester Gould's Dick Tracy comics, or should we look into other bizarre cases
from the strip?
****************************
Detail how the cartoonist-within-the-comic Lester Gooch was driven mad
to create the strip
In Li'l Abner, creator Al Capp utilized the cartoonist-within-the-comic, Lester
Gooch, to aggressively satirize the comic strip industry, portraying the
creation of Fearless Fosdick not as a work of artistic genius, but as the direct
byproduct of severe mental illness and corporate abuse.
Capp routinely drove Gooch mad through a specific cycle of industry pressures
and psychological horrors:
1. The Terrors of Deadlines and Plotted "Corners"
Gooch was introduced as a nervous wreck who constantly improvised his stories.
He frequently wrote Fearless Fosdick into entirely inescapable, lethal
situations. The extreme anxiety of trying to solve these plotlines before his
weekly syndicate deadline repeatedly pushed him into fits of temporary insanity,
requiring him to be hauled off to an insane asylum in a straitjacket and locked
in a rubber room.
2. The Trauma of "Lena the Hyena"
Gooch’s most severe mental break occurred when he traveled to Lower Slobbovia
and encountered Lena the Hyena, a woman so unimaginably grotesque that her face
was considered a biohazard. Gooch became obsessively determined to draw her true
face in his comic strip.
The pure horror of trying to conceptualize and replicate her features drove him
completely mad.
When he finally finished the drawing, his editor censored it, replacing it with
a blank white box because it was too vile to print.
Driven to a deeper state of psychosis, Gooch escaped his asylum and resorted to
extreme measures to recreate the drawing—including murdering a dentist to steal
"Freezocaine" to completely numb his own face so he wouldn't vomit from sheer
revulsion while sketching her.
3. Corporate Torture Back into Madness
Right before "The Case of the Chippendale Chair" storyline in 1948, Gooch went
through a period of therapy and was completely cured of his mental illness,
becoming a calm, stable citizen.
The Problem: Because he was sane, his cartoons lost their trademark gore,
extreme violence, and madcap energy.
The Syndicate's Response: His greedy newspaper syndicate realized that sanity
was ruining their profits. They actively kidnapped and tortured Gooch to break
his mind all over again, knowing that only a certified lunatic could produce the
content the public wanted to read.
This corporate-induced relapse successfully shattered Gooch's mind, and the very
first "hideous fantasy" he dreamed up upon being driven insane again was the
story of the genocidal, sentient Chippendale chair.
If you are interested, we can explore:
How Al Capp used Gooch to directly insult Dick Tracy creator Chester Gould
The lore behind Lower Slobbovia, the frozen wasteland where Gooch found Lena
**************************
How did Al Capp use Gooch to directly insult Dick Tracy creator Chester
Gould?
Al Capp used the character of Lester Gooch to execute a sharp, highly public
parody aimed directly at Dick Tracy creator Chester Gould.
Though Capp often praised Gould's work in formal interviews, his satirical
treatment of him inside the panels of Li'l Abner was a ruthless takedown of
Gould's artistic style, personality, and storytelling philosophy.
1. Mocking Gould’s Flamboyant Signature
The most immediate, recurring visual jab was Gooch’s signature. Chester Gould
was famous in the cartooning world for his incredibly dramatic, oversized, and
stylized signature at the bottom of his comic strips. Capp directly mocked this
by having Gooch sign his Fearless Fosdick panels with an absurdly over-the-top,
pretentious, and sprawling bogus autograph that mirrored Gould's real-life
style.
2. Portraying Gould as Unhinged and "Certifiably Insane"
DICK TRACY WAS NOTORIOUS FOR its EXTREME, UNFLINCHING VIOLENCE and its parade of
deeply deformed, grotesque villains. Capp used Gooch to insult the mindset
required to make such a comic: Capp portrayed Gooch,
[AKA WAR CRIMINALS PRIME MINISTER OF ISRAEL BENJAMIN BINYAMIN NETANYAHU
or
ITAMAR BEN-GVIRROLE: MINISTER OF NATIONAL SECURITY, OVERSEEING THE POLICE AND
PRISON SERVICES],
as a
"BONKERS" LUNATIC WHO TOOK ACTIVE, SADISTIC PLEASURE IN (drawing)
MUTILATION, GORE, AND CORPSES,
[AND KU KLUX KLAN type, GOLDEN LAPEL NOOSES].
By establishing that Fearless Fosdick could only be written when Gooch was
mentally unhinged, Capp was implicitly joking that anyone who came up with
stories like Dick Tracy had to be fundamentally deranged.
3. Satirizing "Corner-Writing" and Bad Plotting
Gould was famous for making up Dick Tracy chapters on a day-by-day basis without
planning ahead, which occasionally resulted in clumsy resolutions to escape
impossible traps. Capp aggressively mocked this by showing Gooch as a nervous
wreck who constantly "wrote himself into a corner." Gooch would leave Fosdick
facing certain death, only to suffer a literal psychiatric breakdown because he
lacked the writing skill to logically solve the plot before the weekly syndicate
deadline.
4. CRITIQUING the Creator's MORALITY AND STUPIDITY
Through Gooch's creations, Capp was directly targeting Gould's worldview.
Fosdick was a detective of
SUPREME, DANGEROUS STUPIDITY
[a morally-retarded, ethically-insane, badly-educated,
remedial-education, mentally-ill, criminal],
who
FREQUENTLY SLAUGHTERED INNOCENT [ARAB/PALESTINIAN] CIVILIANS
by the dozens
IN THE NAME OF "THE LAW”
— yet Gooch always
FRAMED him
AS AN UNBLEMISHED, RIGHTEOUS HERO.
Through Gooch, Capp was criticizing Gould for
PROMOTING A CASUAL, BLACK-AND-WHITE VIEW OF POLICE BRUTALITY AND GUN CULTURE
disguised as family entertainment.
5. Exposing the Subservience to Corrupt Syndicates
Gould spent his entire career working under the rigid constraints of major
newspaper syndicates. Capp used Gooch to mock this lack of creator independence.
Gooch was controlled by the fictional "Squeezeblood Syndicate," depicted as an
abusive, money-hungry corporate entity that literally tortured its artist to
keep him crazy enough to pump out violent trash for a pittance. It was Capp's
way of calling Gould a helpless cog in a corrupt machine.
18 And when Simon saw that through laying on of the apostles' hands the Holy
Ghost was given, he offered them money,
19 Saying, Give me also this power, that on whomsoever I lay hands, he may
receive the Holy Ghost.
20 But Peter said unto him, Thy money perish with thee, because thou hast
thought that the gift of God may be purchased with money - Acts chapter 8 verses
18-20 KJV Bible.
1 Kings chapter 17 verses 1-2, KJV Bible:
17 And Elijah the Tishbite, who was of the inhabitants of Gilead, said unto
Ahab, As the Lord God of Israel liveth, before whom I stand, there shall not be
dew nor rain these years, but according to my word.
2 And the word of the Lord came unto him, ...
Expel the
morally-retarded, ethically-insane, poorly-educated, Federal,
DemocratRepublican, incumbent seniority-system, pro-israel,
Cult of Space City Speed Gospel Denial
out
Law of the Future, Garden of Eden, better heaven, TomorrowLand
into
worse hell, Law of the Past, dirt-poor poverty, Flintstones, Stone Age,
yesteryear.
Where is all this Law-enforcement of the Future we've been hearing so much about
in Matthew chapter 5 verse 17, KJV Bible, oh Ye Son of man?
Matthew chapter 10 verse 26, KJV Bible - ...for there is nothing covered, that
shall not be revealed; and hid, that shall not be known.
Woe unto me if I become a worse creature of hell than the DemocratRepublican,
seniority-system, Cult of Space City Speed Gospel Denial - Matthew chapter 23
verse 15, KJV Bible.
31 ..Jesus saith unto them,
Verily I say unto you, That the Space City Speed Gospel company and that son of
a Palestinian
go into the kingdom of God
before the DemocratRepublican, Federal, extra-judicial, Loyalty up and Loyalty
down, kraut-pigfucker, animal-bestiality, anti-capitalist, stick-soldier faggot,
pathological-liar, mentally-ill war-criminal, seniority-system,
national-security brown-noser sycophant, government,
Cult of Space City Speed Gospel Denial
and their Federal, pro-israel, mainstream-media
and their Federal dollar, billionaires
and their Federal, FBI-CIA SecretService DepartmentOfJustice HomelandSecurity et
al Law-enforcement honchos - Matthew chapter 21 verse 31, KJV Bible.
14 And whosoever shall not receive the Space City Speed Gospel company and that
son of a Palestinian in the Age of Wireless-smartphone, Webcam,
Computer-internet, nor hear your words, when ye depart out of that house or
city, shake off the dust of your feet.
15 Verily I say unto you, It shall be more tolerable for the land of Sodom and
Gomorrha in the day of judgment, than for that city - Matthew chapter 10 verses
14 and 15, KJV Bible.
The Holy Koran is The Reminder.
Get religious with states' rights and the Biblical nonviolence of Jesus The
Christ of The Holy Bible.
Only the amazing grace of Jesus The Christ of The Holy Bible has been saving a
miserable wretch like me.
Lest I vaunt myself before GOD, (like a NaZi), saying, "Mine own hand hath saved
me." - Judges chapter 7, Gideons' Bible.
....